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Jars are especially pleasing vessels. They provide an opportunity not only to see a beautiful shape but envision secret contents. I make various sizes and shapes with adornments to decorate each to enhance it's beauty.
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"Bear" and "Whispering Winds"
These handsome jars is like brothers. They are the same size but each has a different flavor because of the appendage treatment. Interestingly the two have been similar blessed by the after burn. Singly either one would decorate a niche beautiful. But also they make a lovely pair.
Size: 6" ht x 7" w at handles x 6" dia
Cost: $125 each
Colors: As shown #114R
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Click photo for detailed view
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"Leaves in Black and White"
This beautiful jar makes a marked change from the myriad of colors displayed in the matte glazed vessels. This has a bold clear crackle glaze juxtaposed to the intense shiny black glaze, both of which contrast the matte black of the smoked unglazed clay. This piece is bold and strong and draws immediate attention.
Size: 8.5" ht x 7" dia
Cost: $135
Colors: As shown #123R
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Click photo for detailed view
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"Butterfly Jar"
This sweet piece is as light and airy as the butterfly that decorates it. The colors too are delicate.
Size: 8" ht x 6.50" dia.
Cost: $125.00
Colors: As shown #183R
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Click photo for detailed view
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"Autumn Flavors Jar"
What a great way to keep fall fresh and alive by enjoying this elegant jar. The untreated smoked clay sparkles. The flattened sides hold copper leaves just fallen from the frosted trees. The leaf shaped handle on the lid repeats this beautiful fall motif.
Size: 12.5" ht x 7.50" dia.
Cost: $175.00
Colors: As shown #387R
Available Now
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Raku is a form of firing pottery. Work is made with the firing method in mind. Pieces are bisqued and glazed with various raku glazes and fired to 1750 degrees F. When this temperature is reached and the glazes are shiny the door of the kiln is removed and the pieces are taken out one at a time to be smoked or flamed depending on the desired effect. I do both types. Because of the nature of the after fire, the glazes have a wide range of colors with little predictability. Many things effect this. Position in the kiln, in what order it was removed (this would be because of the temperature of the piece upon removal,) the temperature of the air, the wind, the humidity, and how effective the after fire is. I can match the size and shape, and have some control over the color, but much is the gift of the after fire and how I address it. The shiny glazed vessels are put in a smoking chamber and buried in sawdust, then the chamber is closed to produce the smoke. The matt glazed vessels are put in a chamber with a small amount of sawdust and a large fire is built around it. I do many with both methods in combination which is much more challenging. If you look at the pieces in the Raku Gallery with the shiny coppery or silverish rims and a myriad of colors below the rim, you will see what I mean. These pieces give you an approximate idea of what to expect when you order one. I suggest if you like the range, you will like the finished piece.
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